Las eMigrantes: La mediación de las tecnologías en las experiencias de movilidad de las mujeres cualificadas


Con Ana González Ramos.

Día: 24 de noviembre de 2016
Hora: 11:00 a 14:00
Tibidabo  2 (Universitat Oberta de Catalunya)

Avinguda Tibidabo 39-43

La globalización de las tecnologías y la movilidad de las mujeres han sido fenómenos paralelos de crecimiento. Las tecnologías son mediadoras de las relaciones que las mujeres establecen en un contexto transnacional Las eMigrantes: La mediación de las tecnologías en las experiencias de movilidad de las mujeres cualificadas


El dijous 10 de nov., a les 15.30 sala -103 de Tibi2, veurem conjuntament el documental HyperNormalization de l’Adam Curtis , el director de All watch Over by Machines of Loving Grace.
Es tracta de fer un visionat conjunt i anar-ho comentant sobre la marxa informalment.
Si et vols apuntar, envia’ns un correu.

Digital Culture + Everyday Life



We research digital culture embedded in people’s daily life,  analyzing social and cultural continuities and discontinuities, values, practices, representations, rules and norms related to “the digital” and the imaginary of a ‘good life’.

Art, Arquitecture and New Materialities

This project aims to study and develop new methodologies to embrace the role given to the materials along the Art and Architecture histories from a new materialistic frame of thought. How can we generate tools to study artistic practices empirically? Through which tactics can we ensemble and narrate alternative temporalities in Art History?  In which ways the concept of “materialism” is articulate- if it is so- in contemporary artistic production and exhibitions labs and centers? Art, Arquitecture and New Materialities

Visto Por…

Visitas comentadas a la exposición «La máquina de pensar» en el Centro de Cultura Contemporánea de Barcelona (CCCB) a cargo de especialistas… Hoy a las 19:00 hs Pau Alsina (Mediaccions) quien ofrecerá su interpretación personal al legado del filósofo Ramón Llull en relación a las artes, las humanidades y las tecnologías actuales.

Visita guiada con inscripción previa.


Instagram, ¿una plataforma sólo para narcisistas?


“El año 2015, el número de publicaciones en Instagram con la etiqueta #selfie era de 320 millones; actualmente es de 271 millones. Los últimos años, el número de fotos etiquetadas con este concepto ha bajado, pero no el número de selfies, afirman los investigadores de la UOC. La explicación es simple: “Es un signo de naturalización de la práctica; se hace innecesario el uso porque todo el mundo es capaz de reconocer qué son las selfies”, explica San Cornelio. ”

El proyecto Selfiestories de Mediaccions referenciado en La Vanguardia. Hablan Gemma San Cornelio, IP del proyecto, y el investigador Toni Roig.

+ aquí.


Simbiosis entre arte, ciencia y tecnología

¿Qué es lo que el arte puede hacer por la ciencia o qué puede hacer la ciencia por el arte? Indagar las razones por las cuales los grupos de investigación científica suelen tener artistas entre ellos. Una nueva generación de artistas está trabajando con la biogenética, cultivos celulares, clonaciones, realidad aumentada, etc. Nos dirigimos hacia la creación de nuevos centros interactivos, donde se fusionen el arte, la ciencia y la tecnología.

Por Joaquín Fargas
Día: Jueves 6 de octubre
Hora: 16 hs.
Sala Tony Bates – Avinguda Tibidabo 39-43.

Joaquín Fargas es ingeniero y artista, desde 1990 investiga nuevas tecnologías para el arte. En su trabajo, integra materiales biológicos y herramientas tecnológicas con el fin de romper fronteras y generar posibles diálogos y ecologías híbridas. Su producción Simbiosis entre arte, ciencia y tecnología

Interface Politics publication is ready to download!

Interface Politics is a publication of GREDITS (Research Group in Design and Social Transformation) which includes all presentations and keynotes held during the First International Conference Interface Politics that took place in BAU and HANGAR  on 27, 28 and 29 of April 2016. The conference was organized by GREDITS, HANGAR, MEDIACCIONS (Research Group in Culture and Digital Communication UOC) in collaboration with Arts Santa Mònica and IMAGIT and with partial funding from Creative Europe Program of the European Union. The Conference aimed to reflect on the role and effects of interfaces in current communicative and productive systems to produce alternative narratives against the apparent naturalness projected by the instruments.


Híbrids #3: The crack of the Contemporary

Arts Santa Mònica y Mediaccions a través de Art Matters Lab llevan adelante una serie de conversaciones trimestrales entorno al arte, la ciencia, la tecnología y la sociedad. La tercera conversación la mantendremos con Rick Dolphijn y tendrá lugar el sábado 10 de octubre a las 10:00 en Arts Santa Mònica en el marco del congreso internacional Art & Speculative Futures.

The Crack of the Contemproary, Rick Dolphijn

The creative act, as an ideal, drives both art and philosophy and has a problematic relation to the social, political and economic realities that dominate the present. Híbrids #3: The crack of the Contemporary

Art and Design by other means

Vermouth-Session! [Pecha-kucha + Round-Table]

On the one hand, there is an ever greater tendency for art and design research to establish and enhance its links with science and technology studies (STS), this has happened for a variety of methodological and epistemological reasons. On the other hand, while STS were born within the social sciences, they have extended their field of action to other disciplinary and interdisciplinary areas, related to the arts and humanities. In fact, art and design shares a mutual approach with STS that is beneficial for both sides considering their drive to transform and to be transformed.

The purpose of the present session is Art and Design by other means


Next Monday 20th of June, from 14 to 17:30 a Mediaccions/ECIC joint Seminar on the Collaborative Economy, Cultural Production and the Commons at 22@ UOC Building, Rambla del Poble Nou, 156, Barcelona

Know Your Terrorist Credit Score

How are our lives being changed by the rise of machine learning, big data and predictive analytics? Why are the models of 20th century privacy and transparency struggling to keep up? In this talk, Kate Crawford considers the intimate landscapes of data prediction, and discusses why we urgently need a strong framework for data ethics.

 Speaker: Kate Krawford / @katekrawford
Date: 17th of June Friday
Location: Mobile World Centre in Plaça Catalunya
Free access. Registration required.

 This event is organized by:
RMIT Barcelona
Mediaccions Research Group
UOC-Telefónica Chair in Design and Multimedia Creation

ECSA 2016 and the future of citizen science

Liebe readers,

I just came back from a vibrant 3-day conference in Berlin by the European Citizen Science Association. Sitting at the gloomy hacklab of the autonomous social center ELI La Clandestina, I will attempt to outline my experience as an academic interested in public participation, but also as a citizen working with science and technology on a communal and political level.


As an academic, the conference represented a great overview of the vast and heterogeneous landscape of citizen science. As a brief introduction, the notion is generally related to participation, alternative expertise and the inclusion of particular publics in the processes of science and technology. In the past two decades, the practices and formation of communities around citizen science have largely increased with the introduction of digital infrastructures, to a point where it is difficult to talk about it without mentioning other notions such as wisdom of the crowds, big data or smart citizens. As I understood, this is also the general vision of the European Union commission, which has made citizen science one of the key frameworks in its agenda on open science and data-driven innovation – the transformation and opening up of science through ICTs (Open Science, EU). ECSA 2016 and the future of citizen science